Friday, December 27, 2024

Comix Reading List #98-112: Final Readings of 2024

 98. THE LOST WORLDS OF GEORGE METZGER (Fantagraphics Underground) Hoopla

What a great opportunity to catch up on one of the more unusual underground cartoonists. Metzger brings what would these days be called a manga-influenced art style, highly intricate and equally well-suited to action and drama. This reprints all of Metzger's solo comics (MOONDOG 1-4, TRUCKIN' 1-2, and MU, THE LAND THAT NEVER WAS) and nearly another dozen more shorts for anthologies. I say unusual because the little sex that Metzger injects into his stories is only used to move the narrative forward, not self indulgence like many other underground cartoonists. 



99. WORLD WAR 3 ILLUSTRATED: 1979-2014 (PM Press) Hoopla

Good post-election reading material. I borrowed scans of the contents page from archive.org to show the wide range of subject matter and artists in this magazine.  



100. ANARCHY COMICS: THE COMPLETE COLLECTION (PM Press) Hoopla

Jay Kinney, Paul Mavrides, and company started this slightly tongue-in-cheek, slightly earnest political comic a couple years before WW3 ILLUSTRATED began. My favorite parts were definitely the Spain Rodriguez biographies of radicals Nestor Makhno, Buenaventura Durruti, as well as the Roman Spring and Paris Commune. Sharon Rudahl and Melinda Gebbie were also regulars.



101. BATMAN: THE CULT DELUXE EDITION (Penguin Random House) In Stock Trades

A DC hardcover Batman collection from the grim and gritty era following THE DARK KNIGHT RETURNS? I don't fucking think so. Enter Ryan Carey, who reviewed this recent reprinting of the Jim Starlin written, Bernie Wrightson drawn series on his patreon. This was definitely readable despite the usual melodrama of superhero comics, but the extended helping of Wrightson art is most worth a look here.



102. UFO MUSHROOM INVASION (Bud Plant) Library

I've become a big fan of Manga horror, especially Kazuo Umezu, this is more in a post-apocalyptic science fiction vein. Shirakawa Marina was little-known to me before I found this at the library. The art in this is really a cut above in it's slowly building tension and absolute dread as the alien spores take over. The over the top ending was brilliantly played. I normally wouldn't recommend a book from this publisher, but I do support the efforts of Ryan Holmberg who is behind this imprint.



103-106. COMICS BLOGGER #3-6 (Comics Blogger store) mail







 I'm trying to play catch up after buying the first three (including #0) issues way back when I was still on twitter. Thomas Campbell has a great vision of  comics and cartoonists that deserve more attention and analysis. Highlights from these (still in print) early issues are the Katie Lane (#3), Audra Stang (#4), and Tia Roxae (#6) interviews. The long form analysis of a Lynda Barry strip in #5 was particularly effective. Everybody's favorite transgressive comix critic, Ryan Carey, stops by for a debate with Campbell in #4. Hopefully in 2025 I can complete my run of a very worthy zine.




107. THE COMICS JOURNAL YEARBOOK: BEST OF 2022 (Fantagraphics Books) G-Mart pre-order
I don't know if this summary of the best in 2022 is necessarily unique, but it's certainly effective with critics and cartoonists writing on their favorites, interviews with creators, and excerpts of comics discussed. Everyone does such a thorough job in limited space to champion each selection. Helen Chazan writing on Yuichi Yokoyama's PLAZA combined with a sample from the graphic novel is my favorite section of the book. I've not been a fan of Yokoyama, Chazan does a wonderful job mangasplaining this truly experimental artist who I have not been able to wrap my head around. Austin English analysing Tim Hensley's use of classic comics visual language in his adaptation of MAGGIE: A GIRL OF THE STREETS by Stephen Crane, the accompanying interview and process work is fascinating.


108. THE SLIVERS OF LIGHT IN AN ENDLESS NIGHT (Self-published) Mail
Pivoting from an explosion of solo work in his revived CRANIUM FRENZY in recent years, Steve Willis puts together a jam anthology with old friends from his days editing CITY LIMITS GAZETTE: Bob Richart and Buzz Buzzizyk. Steve also collaborates with Charles Brubaker of LAUREN IPSUM fame. I don't recognize the names Cascadia Artpost or Anvil, however I really enjoyed their playing off the art of Steve Willis. I believe there's more to come in 2025!



109. RANDOM ALERT FACTOR (Self-published) Mail
There's autobiographical comics and there's autobiography via comics, luckily we have the latter here. Chris Cajero Cilla reviews EPIC ILLUSTRATED #11 (1982), WEIRDO #10 (1984), and DESTROY ALL COMICS #3 (1995). Instead of a fannish regurgitation of contents Cilla remembers the circumstances when he picked up each book, their effect on him personally at the time, and how they contributed to his evolving artistic sensibilities. I love the whole attitude and presentation of this zine from the cut and paste cover, the fake Mr. A movie poster, and the unique "Peripheral Playlist" from notes in the backs of his sketchbooks. If I found a listing for this zine in an old issue of FACTSHEET FIVE I would not be surprised.




110. WHERE DEMENTED WENTED: THE ART AND COMICS OF RORY HAYES (Fantagraphics Books/OOP) Hoopla
 
Flickr

Flickr
 I've been in awe of Rory Hayes forever, the mix of primitive characters and intensely detailed inks make for a singular comix experience. This book not only puts Hayes's artistic output in perspective, but also his unusual life living and working at the San Francisco Comic Book Company as well as his later life before his death in 1983.




111. DRAWING POWER edited by Diane Noomin (Abrams) Hoopla
 
Google Books


 
Google Books
Diane Noomin had a long comix career full of accomplishments, but beyond her brilliant Didi Glitz character this anthology will probably be the legacy for which she's justly remembered. The subject matter is handled in a wide variety of narrative and artistic styles. I'd like to think this anthology could serve as an educational tool for future generations, however I literally have little to no faith in my fellow man.




112. HURRICANE NANCY edited by Alex Dueben (Fantagraphics Books) Hoopla
Alex Dueben does an excellent job not only introducing us to the very early psychedelic comic strips of "Hurricane Nancy", but also introduces us to Nancy Burton and her latter day creations, as well. A fine way to close out my year of catching up on underground comix.

2025 reading will bring more actual underground comix issues and the Fantagraphics Willy Murphy book. My most immediate reading for the New Year will be a ton of J Webster Sharp...


FONDANT 1-4 by J Webster Sharp (Self-published) Domino Books here here here here






Also on the reading pile and also available from Domino Books:



Sunday, December 15, 2024

Tia Roxae Storyteller Spotlight

 

Partners and Son: Instagram

Instagram

Store

Bluesky (placeholder account)

linktree

Interviews:

COMICS BLOGGER #6 conducted by Thomas Campbell

tcj.com conducted by Katie Skelly

Sewer Mutant gives some history on the origins of Reptile House


Tia Roxae (Roe-Shay) is a Philadelphia cartoonist who has created some of the most delicately beautiful horror art I've ever seen. I was an instant fan when I first came across their work on  the Domino website, and instantly disappointed their solo book THE GLASS CHAMBER was sold out. Eventually, I found a copy on the Reptile House site and backed VISCERE #1 where Katie Skelly reprinted in large size, "Face Fatigue". My favorite Roxae story is from THE GLASS CHAMBER, actually. "Change in the House of Lizards" with it's bright colors and highly innovative layouts that amplify the extreme tension and dread that builds throughout the narrative.



2024: MAGICAL GIRL TRANSFORMATION 2025 CALENDAR. (Reptile House) Tia Roxae's most recent art I could find was this page from the new Reptile House calendar.



southstreet.com

2024: Roxae did the poster for the 2024 Philly Comics Expo in a different (yet no less disturbing) style. Incredible image. instagram

Did you get your commemorative tote bag with Roxae's design?



Reptile House

2024: CYANIDE SWAMP #2. (Reptile House) Edited by Nick Bunch.



Peow2

The Beat

2024: EX. MAG VOLUME 5: BLOODSUCKER. (Peow2) Edited by Patrick Crotty and Wren McDonald. 



League of Comic Geeks

2024: THE INFERNALS #4. (Image Comics) Cover B Variant.



Reptile House

 
2023: CYANIDE SWAMP #1. (Reptile House). Edited by Nick Bunch.. "The Town Beyond Sundown"




2023: VISCERE #1. (Strega Sporca) Edited by Katie Skelly. "Face Fatigue" represented.
Review: Tegan O'Neil (TCJ)



Front cover

 
Untitled First Story

 "Change in the House of Lizards"

2022: THE GLASS CHAMBER #0. (Self-published) Front Cover; "Untitled First Story" 3 pages; "You've Been Chosen" 4 pages; "Change in the House of Lizards" 6 pages (color version of story from REPTILE HOUSE #7); Three one-page illustrations; back cover.
Review: Ryan Carey (that's my comment at the end when I ordered this comic from Reptile House!)


Reptile House


2022: REPTILE HOUSE #10. (Reptile House) Edited by Nick Bunch. "Eyes Where They Don't Belong"


Reptile House
Partners and Son

2021: REPTILE HOUSE #8. (Reptile House) Edited by Nick Bunch. Calendar insert only contribution.


 
See THE GLASS CHAMBER #0 for color version


color print of above page
2021: REPTILE HOUSE #7. (Reptile House) Edited by Nick Bunch. "Change in the House of Lizards" six page story (cover is first page in color) reprinted in THE GLASS CHAMBER #0. Also color back cover that ties into the story.



League of Comic Geeks
2020: RAZORBLADES #2. (Tiny Onion) Edited by James Tynion IV and Steve Foxe. "Sanctuary" 1 page illustration.

Reprinted in this behemoth from Image Comics in 2022:
GCD


The following issues all are listed as having Tia Roxae contributions (unfortunately all are long out-of-print):
2020: REPTILE HOUSE #5. (Reptile House).

2020: REPTILE HOUSE #4. (Reptile House).

2020: REPTILE HOUSE #3. (Reptile House).
2020: REPTILE HOUSE #1. (Reptile House) Dated March 2020 the beginnings of Covid lockdowns.
2019: REPTILE HOUSE. (Reptile House). 1-5 Edited by Nick Bunch.




2018: FACE FATIGUE. (Self-published) Perhaps Tia Roxae's most well-known story. This is the original comic that was reprinted in a larger size in VISCERE #1.
Review: Rob Clough



2017: CAT GIRL FRIEND #1. (Self-published) Possibly Tia Roxae's first published comic.